BBU Events

Although their sound is rooted in traditional bluegrass, Mile Twelve surveys a broader landscape on their newest album, City on a Hill. All five band members bring their own influences and observations into the music, resulting in a project that feels contemporary, thoughtfully crafted, and relevant. “Original bluegrass music, written and played by young people, is very much alive,” says band member Evan Murphy. “I hope people take away that songwriting and arranging really matter. It’s about the material and playing it in a way that feels honest. This album isn’t political in the sense that we’re beating people over the head with anything, we just tried to tell stories that feel authentic.”The album title alludes to the idealized imagery of a shining city on a hill – a historical phrase that has often been applied to Boston, where the band got its start. Murphy adds, “We realized that many of the characters in these songs were in crisis, had been failed in some way, or were failing themselves. It’s an unintentional theme but it came out in the songwriting.” The Mile Twelve lineup offers five of the most promising young musicians in bluegrass: David Benedict (mandolin), Catherine “BB” Bowness (banjo), Bronwyn Keith-Hynes (fiddle), Evan Murphy (guitar, lead vocals), and Nate Sabat (bass, lead vocals). All are credited as songwriters because everyone in the band helped shape the material throughout the writing and arranging process. Murphy and Sabat initiated most of the lyrical ideas for City on a Hill while Benedict wrote the instrumental track, “Rialto.” “We all inspire each other and recognize that everyone has different strengths,” Murphy says. “What makes this band so collaborative is that everyone in the band can do something at … Read More »

Hailed by The Washington Post as ‘one of Nashville’s finest song interpreters,’ Kathy Mattea has enjoyed the kind of success many artists only dream of: two GRAMMY wins, four CMA Awards, four #1 country singles, and five gold albums (plus a platinum collection of her greatest hits). Grammy Award winning singer Kathy Mattea and her longtime collaborator, guitarist Bill Cooley, have shared one of Nashville’s most musically rich partnerships for over two decades. The duo meets as old friends, welcoming you into The Acoustic Living Room to share songs and stories near and dear to their hearts — including Kathy’s beloved classics such as “18 Wheels and a Dozen Roses,” “Where’ve You Been?,” and many other hits, plus a handful of more eclectic and often requested tunes from her extensive catalogue, and a sprinkling of brand new material, all reinterpreted for the duo format. Her 18 albums are woven through with bluegrass, gospel, and Celtic influences, and have garnered multiple CMA, ACM, and Grammy Awards. A genuine storyteller, Kathy draws inspiration from her Appalachian roots and is a torchbearer for often overlooked musical legacies like those of Hazel Dickens and Jean Ritchie. Her most recent album, Calling Me Home, is a collection of songs that celebrates the Appalachian culture of her native West Virginia and expands the vocabulary of acoustic roots music that has always served as her artistic center.  web: www.mattea.com

Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moments, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating. The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred. There is an absence of light, before the light.  A simple bare stage in the waning gloaming, and I can see Darrell make his way to a lone microphone.  He is here to shine that light on matters of the heart─the grit, grease, gristle, and most importantly, the marrow beneath the breastbone.And what is the path that shapes us as we go along, those true defining moments without which we would be hollow versions of our current selves?  For Darrell, it was coming from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well.  From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life.  This would never change. When those hands of his make their way across the strings and fretboard, there is palpable loss of air in the theater, as the listeners, our feet and bodies firmly on the ground, watch his sonic wings take him upwards in flight, and realize we are as along for … Read More »