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The Boston Bluegrass Union (BBU) is pleased to announce the recipients of the 2012 BBU Heritage Awards. The awards are presented each year by the BBU to honor those who have made substantial contributions to furthering bluegrass in New England. The awards will be presented during the 27th annual Joe Val Bluegrass Festival, Presidents Day Weekend, February 17-19, 2012, at the Sheraton Framingham, Framingham, MA.
This year’s Music Industry winner is:
The Crooker Family, Bringing National Bluegrass Artists to Brunswick, Maine for Over 30 Years
This year’s Musician award winner are:
Bill Keith & Jim Rooney, Pioneering Boston-Based Bluegrass Performers
2012 Industry Award Winners |
2012 Musican Award Winners |
The Crooker Family In 1979, Pati Crooker presented the first Thomas Point Beach Bluegrass Festival over Labor Day weekend at Thomas Point Beach Park—the seaside recreation area outside of Brunswick, Maine that her parents purchased in 1956. Through 2008, Pati hosted 28 editions of the Thomas Point festival, each featuring a range of established and upcoming talent in a relaxing beachside atmosphere, with ample camping and ‘round the clock jamming. Taking only two years off (she skipped year 13 for good luck, then took time another year to care for her elderly father), Crooker decided to conclude the festival’s run in 2008. She sealed a selection of memorabilia—along with all of her festivalrelated contact information and mailing lists—into a time capsule, to be opened and appreciated by some future generation. After spending two years fundraising for the American Red Cross and caring for her ailing mother, Crooker felt the need to resurrect the Thomas Point Beach Bluegrass Festival—this time in tribute to the memory of her now departed parents. “My parents loved this festival,” she told Bluegrass Unlimited magazine. “They were a huge part of it.” With all of her contacts inaccessibly locked in the time capsule, she started again from scratch, with the aid of her son Michael Mulligan. Despite having lost much of their prior information, the 2011 Thomas Point Beach Bluegrass Festival featured their biggest pre-sales ever: A stunning affirmation of the Crooker family’s tireless dedication to presenting bluegrass music to New England audiences for over three decades. The festival continues its proud return in 2012. |
Having grown up in Massachusetts—Bill Keith in Brockton,Jim Rooney in Dedham—this pair of visionary performers saw a place for bluegrass music amidst the urban folk music revival that swept Boston in the early 1960s. Rooney was the congenial frontman and vocalist, while the quiet, focused Keith was a dedicated student of Earl Scruggs’s banjo style. Their shows helped to galvanize the nascent New England bluegrass scene, and their classic Prestige LP Livin’ on the Mountain—which celebrates the 50th anniversary of its release this year—is a timeless document of New England bluegrass and features Joe Val on mandolin, Herb Applin on guitar, Herb Hooven on fiddle and Fritz Richmond on bass. Beyond New England, Keith revolutionized bluegrass on an international scale, as he developed a remarkable new melodic banjo style that enabled banjo players to play fiddle tones note-for-note and subsequently inspired such groundbreaking banjo mavericks as Tony Trischka and Béla Fleck. When the two went their separate ways, they continued to contribute to the spread of bluegrass and roots music. Keith hit the road as featured banjoist with Bill Monroe, the father of bluegrass music, and demonstrated his technique to larger and larger audiences, before leaving to work as a solo artist, sideman, author, teacher, and builder (he designed and constructed the self-contained locking tuners favored by banjo players for quick changes of tuning). Rooney managed influential roots music venue Club 47 for a two and a half years, and continued to work as a solo artist, but eventually discovered his gifts were best suited to producing other artists. He has since helmed influential and acclaimed projects by such artists as Nanci Griffith, John Prine, Bonnie Raitt, Townes Van Zandt, Hal Ketchum, Iris DeMent, and more. |
Below are the winners from previous year's festival....
2011 Industry Award Winners |
2011 Musican Award Winners |
WHRB’s Hillbilly at Harvard, Radio Show Educates Generations of Listeners - Unlikely as it may seem, Bluegrass and Country music have had home a on the radio at Harvard University for over sixty years. First launched in 1948 by “Pappy Ben” Minnich, listeners have tuned to WHRB (95.3 FM) each Saturday morning for the region’s longest running and most respected Country music radio shows.
Longtime hosts “Cousin Lynn” Joiner and "Ol' Sinc" Brian Sinclair have created generations of music fans with their knowledge and deep love for the genre. They have shared this with the listeners through a wide ranging song selection, pithy commentary, and a who’s who of guest artists for live in-studio performances. "It's time to remind you that you're listening to the very best in that good old-time, down-to-earth country music, right here on hillbilly radio for eastern New England, WHRB, Cambridge Country."
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Sam Tidwell, Longtime Rhode Island and Maine Bluegrass Pioneer – Sam has been a mainstay of the Rhode Island and Maine Bluegrass Scene for the past fifty years. In 1968, along with Fred Pike, he formed the Kennebec Valley Boys, and for over 25 year, performed all along the East Coast, doing TV, festivals, fairs and country music shows. In 2007, the International Bluegrass Music Museum recognized Sam as one of their “Pioneers of Bluegrass.” |
2010 Industry Award Winners |
2010 Musican Award Winners |
The Founders of Rounder Records - Ken Irwin, Marian Leighton Levy and Bill Nowlin In 1970, three Boston-area students – armed with a passion for traditional music and little else – embarked on an odyssey that now spans forty years and over 3,000 albums. Celebrating its fourth decade in 2010, Rounder Records has remained a bastion of independence in the increasingly corporate music industry. Along the way, they have released a staggering number of classic bluegrass, folk, and stringband albums, bringing American roots music to an audience that spans both dedicated enthusiasts and curious newcomers. In doing so, they have helped to insure the music’s survival and continued growth. In their first decade alone, Rounder issued influential recordings by the likes of J.D. Crowe, Hazel Dickens and Alice Gerard, Tony Rice, Norman Blake, Tony Trischka, David Grisman, New England’s own Joe Val, and many, many others, alongside essential archival releases. In 1987 they issued the debut album by Alison Krauss, then a humble young fiddler from Illinois, who eventually became the genre’s most popular and decorated act. The past decade has seen Rounder survive industry-wide turmoil to become not only the leading roots music outlet in America, but the premier independent label across the board, dealing in an eclectic array of sounds and styles, from contemporary pop to traditional music from around the world. They have been home to an astonishing percentage of today’s top bluegrass stars, including Krauss, Dan Tyminski, Claire Lynch, Rhonda Vincent, the Grascals, Blue Highway, IIIrd Tyme Out, NewFound Road, and Doyle Lawson and Quicksilver, and Rounder tirelessly continues to scout out and develop new talent, such as Michael Cleveland, Dailey and Vincent, Sierra Hull, Danny Paisley, and the Steeldrivers. |
Eric Levenson Mac and Hazel McGee, transplanted southerners residing in Portsmouth, New Hampshire, started White Mountain Bluegrass in 1970, and have since lead it through myriad incarnations and endless gigs. From modest beginnings in coffeehouses and pizza parlors to prestigious festival slots and European tours, the McGees have proudly spread their musical heritage via a uniquely soulful music that blends strong bluegrass roots with touches of vintage country, gospel, and Appalachian balladry. Mac and Hazel’s performances are marked by an understated charm and warmly informal demeanor, and through their winning personalities and musical gifts, they have helped introduce bluegrass music to new audiences both in New England and around the world. Bassist Eric Levenson is a Boston bluegrass fixture, whose good nature, rock-solid timing, and warm tone has graced innumerable recordings, jam sessions, club shows, and festival slots. As a member of the pivotal ensemble Joe Val and the New England Bluegrass Boys for eight years, Levenson toured extensively both at home and abroad, and was heard many times on NPR’s Prairie Home Companion program. Other artists he has performed or recorded with include Hazel Dickens, Bill Grant and Delia Bell, Jack Tottle, Jim and Jennie and the Pinetops, Boston City Limits, the Charles River Valley Boys, and many others. He is a regular at the Bluegrass Picking Party at the Cantab Lounge in Cambridge, MA, which has evolved into a crucible for young bluegrass talent. Outside of music, Levenson is an award-winning theatrical set and lighting designer, and a scenic artist for films. |
2009 Industry Award Winners |
2009 Musican Award Winners |
Al Hawkes: Musician, entertainer, record label owner, and collector Al Hawkes has contributed to bluegrass and country music in nearly every possible capacity. In 1956 in Westbrook, Maine, he founded Event Records and released early recordings by such key artists as The Lilly Brothers and Don Stover, Charlie Bailey (of the Bailey Brothers), Dick Curless, and many more. Born in 1930, Hawkes formed his first band in high school, singing and playing an array of stringed instruments. To this day, he continues to be an active performer, and has received over 25 awards. In addition to releasing a number of important recordings on Event, Hawkes is one of the foremost record collectors in New England, whose archive includes over 40,000 45s, 78s, and LPs.
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The Original Members of Joe Val and the New England Bluegrass Boys: Founded in 1970, Joe Val and the New England Bluegrass Boys featured Joe Val on mandolin and vocals, Herb Applin on guitar and vocals, Bob French on banjo and vocals, and bassist Bob Tidwell. With Val’s stratospheric tenor leading the way, the New England Bluegrass Boys worked tirelessly to bring traditional, hard-driving, Monroe-derived bluegrass to New England audiences. Through their riveting performances and a series of albums on the Cambridge-based Rounder label (beginning with Rounder’s third release, 1971’s One Morning In May), they helped to develop a fervent, dedicated audience for bluegrass and stringband music in New England – a community that still thrives today and gathers annual at the award-winning festival that bears Val’s name. |
2008 Industry Award Winners |
2008 Musican Award Winners |
George Hauenstein has been the affable host of "Sunday Morning Country" for the past twenty-nine years and a welcome visitor to homes across the region each and every Sunday Morning. He's been an ardent supporter of the local and national scene, providing on-air performance opportunities for local bands, and fitting i concert announcements between a great selection of bluegrass and country music. At the close of 2007 George announced he was stepping down as host and has accepted a new job at WILL the NPR affiliate at
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Dave Dillon has been a leading member of the Boston bluegrass music community for over 40 years. He played with such greats as Frank Wakefield and Don Stover, but is perhaps best known for his seven year stint as lead singer and guitarist for Joe Val and the New England Bluegrass Boys with whom he recorded four albums for Rounder Records. Dave's solid lead with Joe's soaring tenor and Paul Silvius' deep baritone gave the New England Bluegrass Boys their signature sound. Dave is one of the most respected rhythm guitar players in all of bluegrass music. He is a world-class musician who has helped to shape the Boston bluegrass scene. We recognize and honor his achievement by awarding him with one of this year's Heritage Awards. |
2007 Industry Award Winners |
2007 Musican Award Winners |
The Joe Val Bluegrass Festival is pleased to honor legendary radio announcer Dick Pleasants with The Boston Bluegrass Union's Heritage Award for 2007. He's been a fixture in the folk music scene, with longtime positions at area stations including WCIB in Falmouth, WCAS in Cambridge, and presently as the morning announcer on Boston's WUMB. While Dick has recently stepped away from the mike at WGBH in Boston, his S a t u r d a y a f t e r n o on show, The Folk Heritage, was a favorite of New England audiences for twenty-five years. His support for the music extends beyond radio as he's founded folk music clubs, societies and established and directs WUMB's Summer Acoustic Music Camp, now in its 11th year. Dick has been a long time supporter of bluegrass music and a dear friend of the BBU. His career in broadcasting and his dedication to folk music has arguably earned Dick Pleasants the title of the Dean of Folk Music in New England. |
2006 Industry Award Winners |
2006 Musican Award Winners |
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This year, with its first ever Heritage Award, the Boston Bluegrass Union pays special tribute to Benjamin "Tex" Logan, the individual most responsible for the Northeast's great bluegrass tradition. Tex Logan was born in Coahoma, Howard County, Texas. He grew up to become one of the best fiddle players of his generation but figured a day job was a good idea. His studies in electrical engineering earned him a master's degree from M.I.T., a doctorate from Columbia, and a steady job at Bell Laboratories in New Jersey. Along the way he found time to fiddle at the Wheeling Jamboree and with artists such as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, and Red Belcher, whose band the Kentucky Ridge Runners included, at the time, two brothers named Everett and Bea Lilly. It was the start of a beautiful friendship. In 1948, Tex composed "Christmas Time's A-Comin' "while touring with Red Belcher and the Kentucky Ridge Runners, He offered the tune to Bill Monroe, and the song has since become a holiday standard. In 1952, Logan encouraged the Lilly Brothers and Don Stover to relocate from Clear Creek West Virginia to the Boston area to perform on local radio and in area clubs. As the Confederate Mountaineer with Logan on fiddle, and later as the Lilly Brothers and Don Stover, they introduced Southern mountain string band music to New England. Their performances were of the highest caliber and established an unmatched standard for which we are ever grateful. As such, Tex Logan can aptly be considered as the Father of Bluegrass in the Northeast.
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